Packaging

Packaging Design Services Market: Top Agencies Redefining Brand Experiences

By SmashbrandOct 28, 202611 min read

Snapshot of Industry

USD 28 BnMarket Size 2026
USD 37 BnMarket Size 2033
4.2%CAGR 2026–2033
Packaging Design Services Market: Top Agencies Redefining Brand Experiences

On a crowded shelf or a busy web page, the pack is often the only part of a brand a shopper sees before deciding. Packaging design therefore carries a commercial task as well as a creative one: it has to attract attention, explain the product, protect it in transit, and carry the story of the brand across stores, screens, and delivery boxes.

Companies seeking this expertise turn to a mixed field of independent studios, brand consultancies owned by global holding groups, and packaging manufacturers with in-house design teams. Buyers weigh each provider on consumer insight, structural and graphic capability, production know-how, and the ability to show results after launch.

Market Introduction

The market is supported by the rising demand for sustainable packaging, the growth of e-commerce, and consumer preference for packs that are both attractive and informative. Brands also rely on design to stand out in categories where products are otherwise similar. Cost constraints, limited differentiation among providers, and shifting consumer preferences hold back growth, and low-cost in-house design teams are an alternative that can reduce outsourced spending.

As per Coherent Market Insights, the Global Packaging Design Services Market is valued at US$ 27.76 Billion in 2026 and is projected to reach US$ 37.02 Billion by 2033, growing at a compound annual growth rate (CAGR) of 4.2% during the forecast period of 2026 to 2033.

3 Key Market Trends

  1. Sustainability moving into the design brief: Brands now ask designers to reduce material, simplify structures, and use recyclable formats from the first concept stage, not as a final adjustment. Amcor completed its acquisition of Berry Global on April 30, 2025, a transaction that created one of the largest consumer packaging groups and raised the profile of material science in packaging choices. The market impact is a growing share of design work that combines structural engineering, material selection, and visual identity.
  2. Interactive and personalized packs: Augmented reality, QR codes, near-field communication, and sensors are turning packs into points of contact with the consumer, while digital printing makes short runs and personalized versions practical. Customization and storytelling are cited among the main opportunities for the market. The impact is a wider scope for agencies, which are increasingly asked to join pack design with digital campaigns.
  3. Measurable results and agency consolidation: Clients want evidence that a redesign works. Agencies such as SmashBrand, a consumer packaged goods design specialist, link their packaging work to sales velocity measures, and larger groups publish case results across entire product ranges. At the same time the sector is reorganizing: the SGK and SGS & Co merger created Propelis in May 2025, and WPP and Omnicom have restructured their brand and design units. The impact is a market in which scale, data, and production capability increasingly separate leading providers from smaller studios.

Packaging Design Services Market Insights

Service demand is spread across graphic design, structural design, material selection, branding and identity, prototyping, and sustainability-focused design. North America is the largest regional market, followed by Europe, while Asia Pacific is the fastest-growing region as urbanization, rising incomes, and online retail expand.

Opportunities lie in customization, smart packaging, sustainable innovation, and convenience features that improve the unboxing experience. Providers that combine strategy, design, and production within a single engagement are better placed to meet these needs, while those competing only on creative output face the strongest price pressure from in-house teams and lower-cost studios.

Market Segmentation

The market is segmented by service type, packaging type, industry vertical, design approach, target market, and region:

  • By Service Type: Graphic Design Services, Structural Design Services, Packaging Material Selection Services, Branding and Identity Services, Prototype Development Services, and Sustainability and Eco-friendly Design Services.
  • By Packaging Type: Primary Packaging, Secondary Packaging, and Tertiary Packaging.
  • By Industry Vertical: Food and Beverage, Cosmetics and Personal Care, Pharmaceuticals and Healthcare, Consumer Electronics, Automotive, Homecare and Cleaning Products, E-commerce, and Others.
  • By Design Approach: Customized Packaging Design, Standard Packaging Design, Innovative and Creative Design, and Sustainable Packaging Design.
  • By Target Market: Small and Medium Enterprises (SMEs), Large Enterprises, and Startups.
  • By Region: North America (U.S., Canada), Latin America (Brazil, Argentina, Mexico, and the rest of the region), Europe (Germany, U.K., Spain, France, Italy, Russia, and the rest of the region), Asia Pacific (China, India, Japan, Australia, South Korea, Association of Southeast Asian Nations (ASEAN), and the rest of the region), and Middle East and Africa (Gulf Cooperation Council (GCC) countries, Israel, South Africa, North Africa, Central Africa, and the rest of the region).

Sub-Segment Analysis

  • Graphic Design Services (By Service Type segment)

Graphic design covers the artwork, typography, color, imagery, and layout that give a pack its visual identity and shelf impact. Demand rises with product launches, brand refreshes, and seasonal or limited editions, and with the need to keep one visual system consistent across retail, e-commerce, and social channels. Typical users are consumer goods brands, retailers with private labels, and start-ups entering crowded categories. The segment is central to the market because it is the first service most clients buy and often the entry point to structural and branding work.

  • Food and Beverage (By Industry Vertical segment)

Food and beverage is a major source of demand for customized packaging. Short product cycles, frequent flavor extensions, and intense competition for shelf space lead manufacturers to commission new designs regularly. Packs must communicate ingredients, origin, and nutrition clearly, while meeting food contact and recyclability rules. Typical uses include beverage cans and bottles, snack pouches, cartons, and gift formats. The segment matters because its volumes and pace of change keep agencies and packaging suppliers continuously engaged.

U.S. Country Analysis

North America holds over 35% of the market in 2026 and is the largest regional market, with the U.S. as its main country. The region combines an established packaging industry, major consumer goods companies, and a strong emphasis on branding and sustainability. Several leading providers are active in the U.S.: Interbrand and Pentagram operate from New York, TricorBraun from St. Louis, and Turner Duckworth from San Francisco. Pentagram named Piotr Woronkowicz as its first industrial designer partner in April 2025, and JKR redesigned the Walmart Great Value range, covering nearly 10,000 products. Retail private labels, direct-to-consumer brands, and e-commerce shipping needs continue to shape demand for both protective and expressive packaging.

Prominent Players in the Packaging Design Services Industry

1. Interbrand

Interbrand was founded in 1974 and is headquartered in New York. It has been part of Omnicom Group since 1993 and offers brand strategy, naming, corporate and packaging design, and brand valuation.

Its Best Global Brands ranking reached a 26th edition in October 2025. By December 2025, Interbrand sat in Omnicom Branding, a group led by Mark O'Brien that also includes Siegel+Gale, Sterling Brands, and Wolff Olins.

SWOT Analysis

  • Strengths: Presence in 75 countries and a widely followed brand valuation ranking.
  • Weaknesses: Packaging is one service among many, not the lead offer.
  • Opportunities: Cross-selling with sister consultancies in Omnicom Branding.
  • Threats: Integration pressures that follow the consolidation of Omnicom's agencies.

2. Propelis (SGK)

SGK, whose roots go back to Schawk, founded in Chicago in 1953, was sold by Matthews International and merged with SGS & Co on May 1, 2025 to form Propelis. Gary Kohl is chief executive officer. The enterprise value of the SGK Brand Solutions sale was about US$ 900 million.

Propelis brings together SGX for packaging graphics production, Marks & Equator for creative and strategy, Collide for in-store graphics, and 5Flow for cloud packaging workflow. The group reports annual sales of nearly US$ 1 billion across more than 30 countries.

SWOT Analysis

  • Strengths: A full chain from creative to packaging graphics production.
  • Weaknesses: A new brand name over several legacy units that still need to be integrated.
  • Opportunities: Cloud workflow automation through 5Flow and combined creative-to-production services.
  • Threats: The sale of the former SGK footprint in parts, including European gravure operations.

3. TricorBraun

TricorBraun was founded in 1902 and is based in St. Louis, Missouri. In early 2025, the company completed the acquisition of Veritiv's rigid containers business, and Kevin Weadick took over as chief executive officer in 2025.

SWOT Analysis

  • Strengths: Design linked directly with sourcing and manufacturing oversight.
  • Weaknesses: Design is a supporting function of a sourcing business, not a stand-alone creative brand.
  • Opportunities: A larger North American footprint following the Veritiv rigid containers deal.
  • Threats: Leadership change and private equity ownership timelines.

3. Amcor plc

Amcor traces its origins to 1896 and is listed in New York and Sydney, with its principal base in Zurich, Switzerland. It manufactures flexible and rigid packaging, and its innovation work draws on roughly 1,500 research and development professionals.

The all-stock merger with Berry Global, valued at about US$ 8.4 billion, closed on April 30, 2025. Net sales for fiscal 2026 were US$ 23.5 billion, and about US$ 285 million of integration savings had been captured.

SWOT Analysis

  • Strengths: Scale and engineering depth across materials and formats.
  • Weaknesses: Net debt of US$ 14.1 billion on June 30, 2025 after the Berry transaction.
  • Opportunities: Savings still to come from the Berry integration, mostly in 2027.
  • Threats: Volatility in raw material and energy costs, and tariffs.

4. Pentagram

Pentagram was founded in London in 1972 and is owned by its partners, who hold equal shares. It operates studios in London, New York, San Francisco, Berlin, and Austin, and works across identity, packaging, and product design.

In April 2025, Piotr Woronkowicz joined the New York office as the firm's first industrial designer partner. His studio had designed packaging for Dr. Jart+, Mastercard, and Google.

SWOT Analysis

  • Strengths: Independent, partner-led model without outside shareholders.
  • Weaknesses: Recent public work leans toward cultural identity assignments.
  • Opportunities: Industrial and product design capability from the new partner.
  • Threats: Departure of senior partners, as with two exits in 2024, affects a partner-driven model.

5. Pearlfisher

Pearlfisher is an independent, B Corp-certified design agency with studios in London and New York. Its work combines brand strategy and product innovation with visual and verbal identity, pack design, and production.

It has recently strengthened its New York team, promoting Justine Allan to managing director and appointing Christina Papale as head of strategy, and it has published a series of insights on private label.

SWOT Analysis

  • Strengths: Packaging-led reputation and independent status.
  • Weaknesses: A small footprint of two studios.
  • Opportunities: Private label and beauty categories, where it has increased its thought leadership.
  • Threats: The growing use of AI in creative work may press fees.

6. Jones Knowles Ritchie (JKR)

JKR was founded in London in 1990 and opened a New York studio in 2012. Growth Capital Partners made an investment in 2019 that allowed the founders to exit while the firm stayed independent. Its portfolio includes the Heinz global packaging system in more than 40 markets and the redesign of Walmart's Great Value range.

In October 2025 Design Week reported a 90% win ratio for the year, new clients including Ford and Intuit, and a restructuring away from separate profit-and-loss units.

SWOT Analysis

  • Strengths: Large-scale packaging systems for global food and beverage brands, and a strong pitch record.
  • Weaknesses: Little public detail on current ownership.
  • Opportunities: Growth in technology, retail, and finance sectors.
  • Threats: AI reshaping creative work and client demand for faster outcomes.

7. Landor

By Landor

Landor was founded in San Francisco in 1941 by Walter Landor and is owned by WPP. Landor and Fitch were joined in 2020 and rebranded as Landor in November 2023, adding sonic, workspace, and motion capabilities through amp, BDG, and ManvsMachine.

On March 10, 2026 Jane Geraghty was named global chief executive officer of both WPP Brand and Design and Landor.

SWOT Analysis

  • Strengths: Long heritage and a consolidated consultancy offering.
  • Weaknesses: Repeated changes of name and structure since 2019.
  • Opportunities: A combined leadership role over WPP's brand and design units.
  • Threats: Restructuring at the parent group.

8. Turner Duckworth

Turner Duckworth was founded in 1992 in London and San Francisco by David Turner and Bruce Duckworth, and Publicis Groupe acquired it in September 2014. It began as a packaging design agency, designed the Amazon logo in 2000, and has worked with Coca-Cola since 2005.

Joanne Chan serves as chief executive officer, and the agency has studios in San Francisco, London, and New York.

SWOT Analysis

  • Strengths: Packaging heritage and a long-running Coca-Cola relationship.
  • Weaknesses: Few dated announcements in recent years.
  • Opportunities: Access to the client base of Publicis Groupe.
  • Threats: Holding companies consolidating design work among their own agencies.

Overall Market Outlook

The packaging design services market is projected to grow from US$ 27.76 billion in 2026 to US$ 37.02 billion by 2033, a CAGR of 4.2%. Growth will be moderate, supported by sustainability requirements, e-commerce, and the commercial value brands place on distinctive packs.

North America is expected to remain the largest regional market, with a share of over 35% in 2026, followed by Europe at over 25%. Asia Pacific, at over 20%, is expected to grow the fastest as retail and digital commerce expand.

Providers will compete on sustainability expertise, the integration of design with production, and the ability to prove results. Cost pressure from in-house teams and limited differentiation among agencies will keep margins under watch, and further consolidation among holding-company brands and packaging groups appears likely.

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  • Current Industry Events of 2026
  • Market Size Estimation
  • Regional Breakdown
  • Competitive Landscape
  • Customer Intelligence
  • Segmental Analysis
  • Pricing Analysis
  • Key Market Drivers, Challenges & Future Trends
  • Customized Insights Section

Definition

Packaging design services are professional and creative services provided by design agencies or individual designers to create packaging that is visually appealing and functional. They include concept development, graphic and structural design, material selection, and artwork creation intended to strengthen brand image, attract consumers, protect products, and support marketing and logistics.

Disclaimer: This post was provided by a guest contributor. Coherent Market Insights does not endorse any products or services mentioned unless explicitly stated.

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About Author

Vlad Orlov

Managing brand partnerships at Respona, Vlad Orlov is a passionate writer and link builder. Having started writing articles at the age of 13, once past-time hobby developed into a central piece of his professional life.